In September of 2001, Disney was moving toward polished product on Lilo and Stitch — a youngsters' film set for discharge in mid 2002. The peak of the film at first highlighted Stitch steering a 747 through an anecdotal Hawaiian city. Be that as it may, that urban background was supplanted with a hilly scenery, and the air ship was re-attempted to resemble an outsider shuttle.
The progressions were educated by the move in the state of mind in America following the psychological militant assaults on 9/11. Disney wasn't the only one in their commitment to modify substance to a more proper tone for a country as yet reeling from the assaults. Kids' shows like Power Rangers, Pokemon, and Invader Zim had scenes removed the air because of scenes where structures and cityscapes were crushed.
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